the house is built in the area's yellowish-pink sandstone, known locally as marés stone, making it blend into the landscape. The concrete roof is capped with of yellow tiles while the gables are crafted in the Chinese style, like those of the Fredensborg Houses. The four separate blocks are linked together with walls and courtyards. From west to east, the first block houses the kitchen, dining room and study, the second the living room, the third the bedrooms and the fourth contains a guest suite. All face the sea with slightly different orientations following the line of the cliffs. Utzon prepared preliminary sketches and drawings but these were underwent changes as the building grew. The result is a house that makes optimum use of light and views.
Utzon's approach is reminiscent of the experience he had gained in Finland where he saw how Alvar Aalto had built the Villa Mairea, altering the design along the way. The light in Majorca is sharp and bright. Can Lis has a number of areas where loggias and projecting roofs provide the necessary shade. The window frames, mounted on the exterior surface of the walls, stimulate the effect of light inside the house. Most of the furniture is also made of stone, sculpted into shelving, tables, chairs and benches. In his extensive monograph on Utzon, Richard Weston considers Can Lis to be "one of the finest houses built in the twentieth century." He further comments: "Uniting mental and physical order, geometry and building, Utzon has made a house unmistakenly modern in technique and sensibility yet seemingly as natural and ordinary as the sun, stone and sea whose intercourse it celebrates."